The by-now-traditional cover of Avril Lavigne’s ‘Complicated’ is greeted by thousands of hollering voices, but she manages to top this with a second cover later in the set. Moving from full band treatment – it’s like Hole via Britney, if we want to talk 90s icons – to tender acoustic laments, Olivia Rodrigo’s set is fuelled by that desire for connection. Highlights from ‘Sour’ follow – ‘Brutal’ is snappy and whipsmart, ‘All I Want’ pulls at your heart, while ‘favorite crime’ is positively visceral. With just a debut album to her name, she peppered the set with surprises – there’s an outfit change, for one, while the band are allowing to jam from time to time. The mere sight of Olivia Rodrigo prompts absolute, total hysteria from the audience, the floor vibrating with the sheer volume of the yelling audience. Social media snapshots saw fans queuing throughout the day for a precious spot at the front, and the venue is packed to the rafters as Baby Queen completes her spiky, precocious support slot.Īnd then it’s time for the main act. When Clash gets to eventim Apollo for the second night of her London stand, Olivia Rodrigo stans have long since flocked to the venue. What Olivia Rodrigo had right off the bat was the songs – glorious, egalitarian slices of teen-pop capable of cutting straight through to the heart of the matter – and an impeccable, almost unique ability to connect. The thing is, though, when is pop at this level not thought-through? Of course it’s planned, everything that connects at a global level is.
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